My Wild Oregon: The Wreckage of The Peter Iredale

The Wreckage of the Peter Iredale watercolor and ink by Julianna Paradisi 2019 (sketchbook)

David and I spent several days in Astoria, Oregon last week. The town is steeped in history, and not only as the final destination of Lewis’ and Clark’s historic cross continental trip, wintering at Fort Clatsop.  Astoria is notorious in Maritime history through the present for the difficulty encountered by freighters and fishing vessels crossing the bar, the point where the mighty Columbia River and the Pacific Ocean converge. In present day, crossing The Bar requires the expertise of pilot ships and their captains to navigate safely. And yet, occasionally there are mishaps

If you’re interested in the history of the Pacific Northwest, I am, and the history of Astoria in particular, I recommend reading Astoria: John Jacob Astor and Thomas Jefferson’s Lost Pacific Empire, a Story of Wealth, Ambition, and Survival, by Peter Stark.

David and I drove to the Clatsop Spit to see what remains of  the wreckage of the Peter Iredale, a cargo ship with an empty hull that went aground on October 25, 1906. It was sailing to Portland to load with wheat for export in the UK. Although the ship was a total loss, fortunately, the crew survived.

The weather was beautiful this particular day, and lots of people had the same idea as David and I. There were children joyously climbing the rusted steel and iron wreckage as though it were a jungle gym, laughing and playing while their parents supervised.

The Wreckage of the Peter Iredale watercolor and ink by Julianna Paradisi 2019 (sketchbook)

I found a spot in the sand and began to draw…

 

A Random Encounter: Nurse, Artist, and Tree

The Embrace oil on panel, 8″ x 8″ 2019 by Julianna Paradisi

There’s a tree I walk past often, and on my way home from work one day I decided to take a picture of it. Turning to face the tree, I took my phone out of my coat pocket.

As I did, a young man stopped and asked if I was going to photograph the tree. When I said yes, he asked what it was I saw. I looked at him closely before speaking. His question, his wool jacket, the way he stood told me what I wanted to know.

I asked, Are you a photographer?

He was.

If he’d asked, I would have told him I’m a painter.

The setting winter’s sun outlined the silhouette of the tree. I showed him how its bifurcated trunk created the illusion of an embrace.

At first he couldn’t see it: Show me the nose.

Pointing with my finger, I outlined nose, brow and lips for him.

He looked intently, the way artists and poets do. After a pause, he said, I have a friend. She talks to trees.

I told him once I heard a grove of trees singing. Two weeks later, they were gone, having been cleared for a housing development.

He told me he will never not see the embrace of this tree.

He went on his way. I took the picture of the tree, and from it, several days later, made this painting with its story of a random encounter.

SirenNation Art Show Opening

On the right: Quickened Toward All Celestial Things, by Jparadisirn, 2018 on display through November

Imagine my surprise to find my painting Quickened Toward All Celestial Things has been given a street view exhibition space at Portland 5! Thank you @SirenNation for an awesome opening reception tonight.

On exhibit through November as part of the Siren Nation Visual Art Show Portland 5 Centers for the Arts Antoinette Hatfield Hall, 1111 SW Broadway, Portland, OR 97205

Crows have mythological meaning in many cultures. They are messengers from another dimension, shape shifters, and symbols of transformation. The title is adapted from a line Emily Dickinson wrote in a letter to a friend:

“Dear Friend,
…Quickened toward all celestial things by crows I heard this morning-accept a loving caw from a nameless friend.”

 

Quickened Towards All Celestial Things
graphite, acrylic, oil on wood 20″ x 20″ 2018 by Julianna Paradisi

SirenNation Visual Art Show, Portland Oregon, November 2018

Quickened Towards All Celestial Things
graphite, acrylic, oil on wood 20″ x 20″ 2018

Quickened Towards All Celestial Things, graphite, acrylic, oil on wood, 20″ x 20″ by Julianna Paradisi 2018 https://jparadisirn.com/gallery/
On exhibit in November as part of the Siren Nation Visual Art Show Portland 5 Centers for the Arts Antoinette Hatfield Hall, 1111 SW Broadway, Portland, OR 97205
Save the Date! Opening Reception: Thursday, November 1, 2018 from 5:00 to 8:00 pm.
Beverages and complimentary snacks available. All ages!