Author Archives: jparadisirn

About jparadisirn

JParadisi RN, OCN finds inspiration where science, humanity and art converge, creating compelling images as both a writer and a painter. She is the author of JParadisiRN, and blogs frequently for TheONC.org, and Off the Charts, the blog of the American Journal of Nursing.

Random Thoughts on The Freedom of Speech, Nostalgia, and The 4th of July

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As I write, there is a man in jail vehemently defending his freedom of speech. He chose to exercise his freedom on public transportation, a Max train, by screaming hate speech at two teenage girls, one African American, the other Muslim. His harassment of the girls so escalated that three men placed themselves between the attacker and the girls. All three men were viciously stabbed, two of them fatally. On the evening news the attacker maniacally justified the stabbings as his right to protect his freedom of speech.

Portland remains traumatized by this act of horrendous violence that made national headlines; an act of savagery that simultaneously documents the very worst, and the very best of our community.

***

I learned about freedom of speech in the public elementary school of the small town where I grew up. Our teachers taught us to temper our opinions with civility and common sense: “Freedom of speech doesn’t allow you to yell, ‘Fire!’ in a crowded movie theater,” we were instructed. Or as another teacher graphically put it, “Your freedom of speech extends to the end of your nose,” meaning you have the right to say it, but your words may earn you a punch in the face.

Untitled

Untitled by Julianna Paradisi mixed media on vellum 2016

My nostalgic elementary school memories are charming, yet they were created during a time of great national unrest. I’m probably as young as an adult can be with a bona fide memory (not one created by archival footage) of the day President John F. Kennedy was assassinated. During the years my teachers were explaining Freedom of Speech to me and my classmates, Dr. Martin Luther King was assassinated, and Robert Kennedy too. On the evening news throughout my elementary school years, we witnessed the Watts Riots, and learned four students at Kent State University were shot to death while protesting the Viet Nam war.

I learned “A punch in the face,” was a euphemism used by my teachers to explain to their students a world they struggled to understand.

***

Since the Tri Met stabbings, several random, less publicized stabbings have occurred in Portland.

I seldom drive. My chosen mode of travel is on foot. Since the stabbings, I’ve not walked the downtown as much as I used to. I’m not alone in restricting activity to reduce vulnerability to violence.

I’m told Muslim women wearing hajib are avoiding public transportation since the attack on the two girls. For some, public transportation is their only means of travel, and they’ve become isolated in their homes.

***

A few days ago, the sun rose bright, and warm. I decided to walk to a downtown department store to make a return. A block from the department store, I passed a Tri Met stop. I chose to not over think it.

In the women’s clothing department, I came around the escalator at the same time a Muslim woman wearing a hajib came around from behind a large rack of clothing. Neither of us are tall, which is why we didn’t see each other until we nearly collided. I startled, but she froze in place the way a deer crossing a road at night freezes in the sudden glare of oncoming headlights. Her beautiful, kohl-lined eyes heightened the image. But it was the tension of her body that told me she prepared for verbal attack.

I smiled, and said, “Hello.” The tension melted from her body. She smiled, and nodded. We went on our separate ways.

We were the same: two women venturing out alone, downtown, on a sunny day in the land of the free on 4th of July weekend.

Freedom of Speech, home of the brave, land of the free: This 4th of July I pause to think about what these words mean, and how they apply to my life. They’ve become simultaneously incongruous, and yet familiar.

What is the word for a nostalgia that includes memories of bigotry and hate?

This 4th of July, I honor those who fought for independence, creating America, my home, and who wrote The Constitution to protect our freedoms. I am proud to be an American. I am nostalgic for a country where freedom rings with civility and justice.

 

 

 

 

 

A Nurse’s Sketch Book

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Nearly a year ago, I wrote a post about mindfulness and found time for creativity, in which I described how I used downtime spent in waiting rooms to draw, or more accurately, for advanced doodling.

The practice continues. This year, I purchased an inexpensive set of crayons, which I keep in a desk drawer. During my lunch break, I take a minute or two to add a splash of color to the ballpoint pen ink drawings. None took longer than 15 minutes to sketch, usually much less.

These rough sketches don’t take the place of painting in my studio, but, there’s a certain satisfaction that comes with adapting to challenges of managing time, learning to juggle purpose and passion. Nursing provides purpose rooted in service, and passion (or a reasonable facsimile of art) blossoms from its branches. Like spring flowers following a severe winter, it will not be denied.

 

Writing to The So What?

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First of all, I apologize to my friends and family on Facebook for the uncharacteristic political updates.  Thank you to those  who continue to follow me, whether or not we share   viewpoints.

xxx

Detail/artist: JParadisi (2009)

Since I began publishing JParadisiRN blog, I strive to maintain a balanced voice. Drama is not my thing, not as a nurse, not as a blogger (with the exception of The Adventures of Nurse Niki). Before hitting the “publish” button, I use my So What? filter, as in “Why did I write this, and so what?” It is my practice to write to the So What?

At least part of this instinct as a writer is traceable to my former role as a pediatric intensive care nurse, where I learned to report my concerns about a patient in concise, direction-oriented sound bites, in the middle of the night, by phone, to a doctor I’d just woken. For instance, if I assessed fluid overload, and suspected the patient needed a dose of furosemide, I presented the numerical values of fluid intake, urine output, central venous pressure, blood pressure, heart rate, etc, sometimes finishing the report with, “Would you like to give an extra dose of Lasix?” Most often the answer was, “Yes,” and I received an order for the desired dose before the doctor went back to sleep.

“So what, all nurses do this to some degree,” a reader might respond. They are right.

However, there’s another kind of nurse-call to a physician. It’s born of anxiety, a feeling that something isn’t right; that an otherwise stable-looking patient is on the verge of  downward spiral. Their vital signs are within accepted limits, the lab values unchanged. But, standing at the bedside, “eyeballing” the patient, a subtle change is noted: they’re just a little dusky, a touch mottled. Sometimes those are the only signs warning a perceptive nurse of her patient’s declining status. It’s intuitive: The heart monitor still beats a normal sinus etching across its screen. The numerical values of pulse, blood pressure, and respirations remain unchanged. You keep a watchful eye on your patient, perhaps pulling a bag of normal saline, and a bottle of albumin to keep at the bedside, just in case.

As I grew into my PICU role, I learned to trust this intuition, my nurse’s gut. It saved more than a few lives. I joined the ranks of my more experienced colleagues, nurses who, when they call a doctor and say, “You need to get in here now,” the doctor does just that. He or she can’t explain our intuition either, but once they know a nurse has it, they listen, regardless of what the numbers say.

“So what?”

Here’s what: My nursing intuition is going berzerk in the current political climate. I can’t shake this feeling of impending doom. I am not an anxious person by nature; it’s my training to maintain order and calm. But I can’t shake this feeling: Where there’s smoke, there’s fire.

So what?

Letting Go of Your Hassles: New Year 2017

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Rose quartz for love, clear quartz for clarity Photo: Julianna Paradisi 2017

Rose quartz for love, clear quartz for clarity Photo: Julianna Paradisi 2017

My friend who teaches Pilates and mindfulness was approached by one of her students after class. The student said, “I really appreciated your words of mindfulness, especially the part about, “Letting go of your assh*les.”

My friend, who I’ve never heard use that particular word in causal conversation, much less during a meditation, was taken aback. She could not recall saying it. She asked the student, “What did I say?”

She repeated herself, “I really appreciated you saying, ‘Let go of your hassles.”

Hassles. Ah yes, that makes much more sense. “Let go of your hassles.”

Since my friend told me the story, I’ve considered the hassles I want to let go of in the New Year 2017.

The usual suspects come readily to mind: Rude comments from others, drivers who take my pedestrian safety into their own hands by running stop signs, miscommunications of various species, the neighbor who parties and plays loud music until 4 am on a Monday morning when I have to go to work. I considered forgoing Twitter to avoid finding out US international policy changes before I’ve had coffee in the morning, but those tweets pop-up in the national news and Facebook immediately, so there’s no point.

While reflecting on hassles, it occurred to me that letting go of mine isn’t enough. It’s a principle of universal attraction that like attracts like. In other words, we attract to ourselves the energy we send out into the world. Simply put, the only way to let go of the hassles, is don’t be a hassle. 

To not be a hassle requires mindfulness. It requires choosing to respond to hassles (especially those manifesting in the form of other people) with care and thoughtfulness. Letting go of hassles requires empathy and compassion. It requires restraining yourself from placing a wireless speaker against the wall between you and your neighbor’s home, and turning up teeny-bopper heart-throb boy band music really loud at 6 am on a Monday morning when you get up to go to work, with the intent of preventing your hung over neighbor from getting to sleep after partying all night, which kept you up when you had to go to work the next morning.

Letting go of the hassles requires not being a hassle.

Letting go of the hassles is an ongoing job, a moment by moment, day by day thing. It requires renewing the commitment to doing what’s right everyday.

It takes practice. I don’t expect to get it right every time.

“But I’m tryin’ real hard to be the Shepherd, Ringo. I’m tryin’.”

New Year’s Eve 2016: Hospital Staff Style

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Since I left oncology infusion nursing to become an oncology nurse navigator, I’m no

Sushi platter with chopsticks photo by Julianna Paradisi 2016

Sushi platter with chopsticks photo by Julianna Paradisi 2016

longer required to work holidays, as I did the previous 28 years.  My husband, however, is a hospital pharmacist, and this year New Year’s Eve and New Year’s Day fall on his weekend on. There will be no staying up to MIdnight for us, because he has to be up at 5 am to provide the medications administered to critically ill patients by nurses who will also celebrate a quiet New Year’s Eve at home.

We’ve created a tradition for the New Year’s Eves that mandate we get a good night’s sleep because of our work. This year, it’s my turn to get take out sushi from the Japanese restaurant down the street. A bottle of champagne chills in our fridge. When David gets home from work, we’ll enjoy the sushi and champagne while watching a movie, reflecting on how good our life is, despite 2016 being one of the more challenging years in recent memory.

It’s not glamorous, but we enjoy it.

Wishing you and yours happiness, good health, and prosperity in 2017.

 

 

 

 

Art and Nursing: Exhibiting Art Within a Power Point Presentation About Oncology Nurse Navigators

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The above paintings are original works by Julianna Paradisi, and may not be used or reproduced without permission.

This year, I’ve had a few opportunities to try on the art of public speaking, a newish skill for me. The topics revolved around breast cancer, and oncology nurse navigation.

Recently, I was asked to speak to a group of inpatient oncology nurses about the role of nurse navigators for breast cancer patients, and the application to the hospital setting. Integrating the patient experience throughout the continuum of cancer treatment is a prominent part of what nurse navigators do, and inpatient nurses wanting to learn more (and earned CE) about oncology nurse navigation is exciting.  It demonstrates ONNs have an impact on patient care.

For the occasion, I decided to learn a new skill: creating a Power Point presentation. I know, I know, some of you were making Power Point presentations since your first elementary school book report, but you probably can’t write in cursive as well as an older nurse, or use a real typewriter.

Here’s the stipulation: because I am also an artist, I have a thing against using clip art or stock images from the Internet to illustrate my words. If you are familiar with my blog posts for Off the Charts you already know this.

So, not only did I learn to create, and present a Power Point slide show, I used jpegs from a series of paintings I made of mountains, illustrating the presentation from the perspective of my personal practice. For many, the word navigator connotes images of the ocean or GPS, but as a breast cancer survivor turned ONN, I see myself as a sherpa, someone who has climbed the mountain, familiar with its terrain and potential for treachery. I lead patients  up the mountain, summit, and then come back down. The paintings of mountains also suggest the barriers to care ONNs are tasked with removing for patients. The theme was woven into the closing remarks of the presentation.

Most of the paintings depict Mount Hood, the dominating peak and iconic symbol of Portland, Oregon, my home.

I gave the presentation with a sense of creative satisfaction in finding another way to merge art into my nursing practice.

 

 

 

 

Flu Shot? Yes, Check That Box

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This week I got a flu shot, free of charge from the hospital. I bared my deltoid muscle, allowing a nursing student to practice her immunization and injection skills. She did a pretty good job. It barely hurt. Those are penguins on the adhesive strip she covered the tiny bead of blood from the needle prick with, in the photo to the right.

Flu shot? Yes. Check that box

Flu shot? Yes. Check that box

I hardly thought twice about getting a flu shot this year, which hasn’t always been the case. In fact, in the past I opposed mandatory flu shots for nurses; arguing against someone else making rules about my body. While I was never threatened with job termination for refusing flu shots, some hospitals did make nurses refusing them uncomfortable with policies mandating they wear respiratory masks in patient care areas during flu season, or producing notes from their primary care provider explaining the nurse’s choice to avoid it; stuff like that.

What changed my mind about flu shots? I don’t know it has actually changed. What’s changed is my attitude: I don’t feel it’s worth the fuss anymore. It’s not a battle I choose to fight. I don’t know if this is a sign of maturity, or aging, but it’s lost its importance in the greater scheme of my life.

This year, and the last, I got a flu shot, and then I went back to work.

What about you? Are flu shots still a hot topic for nurses like they were in 2009, during the height of the H1N1 virus epidemic?

Art & Nursing in The Clinical Setting: An Interactive Experience

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Recently I had a unique experience as an artist and nurse.  At the hospital, I was stopped by someone I vaguely thought was a former patient, or perhaps a family member or supportive friend of a former patient, I really don’t remember.

Lung Ta (Wind Horse) oil stick on vellum 2007 by Julianna Paradisi

Lung Ta (Wind Horse) oil stick on vellum 2007 by Julianna Paradisi

This person, however, not only recognized me, but knew I painted the art hanging in the infusion clinic where I once worked.

“You sold the horse print.The one over the reception desk.”

“Yes.”

“I really liked it. It was good. It was a print, right?”

“Thank you. Well, actually no. It was an original painting. I used oil sticks to make it.”

“What are oil sticks?”

“They’re similar to oil pastels, but big, like cigars. In fact, painting with them feels like how I imagine painting with a big, greasy cigar might feel. But they air dry over time, unlike oil pastels.”

“That sounds really messy, but your painting looked neat and precise.”

“Thank you.”

Mt Hood Triptych #2 oil on canvas 2016 by Julianna Paradisi

Mt Hood Triptych #2 oil on canvas 2016 by Julianna Paradisi

“I really liked it.”

“Thank you. So what do you think of the painting of Mt Hood I made to replace it?”

The the expression on her face gave her away, so I threw her a bone.

“Not so much, right?”

“It’s okay. I liked the horse.”

“I really appreciate your comments,” and I meant it.

As an artist I’ve stood through many gallery openings and art receptions. It’s rare for anyone to ask about what inspired the art, or how it was made. No offense intended to anyone, but a common experience for artists at gallery receptions is being approached by people wanting to talk about themselves or their art, not yours. They didn’t come to view the art.

I’m enchanted by this woman who spends her time in an infusion clinic considering the artwork on its walls; becoming fond of a particular painting, and wondering how it was made. She wasn’t there to view the art either, but she did. Not only that, but she had access to the artist, who is a nurse going about her nursing duties, until this brief respite, when the two of us discussed the art.

I do not believe such things happen very often to artists or nurses. I am grateful it happened to me.